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Today we are so accustomed to seeing photographs wedded to text - whether in the family album or daily newspaper - that the verbal framing of the photograph has become invisible. The text is internalized within the image, and the meaning of the photograph becomes clear and self-evident, as if by the evidence of the photograph itself. In Scenes in a Library, Carol Armstrong explores the experimental moment, at the inception of the new medium, when the word came to haunt the photographic image and the forty or so years - roughly from the 1840s to the 1880s - during which the photographic image alternately resisted and became assimilated by the printed page.

Images, Photographic --- Photography --- Illustrated books --- Visual Arts --- Art, Architecture & Applied Arts --- Photographic images --- Image processing --- Imaging systems --- Optical images --- History --- 655.533 --- 77.01 --- 77 "18" --- 77 ATKINS, ANNA --- 77 CAMERON, JULIA MARGARET --- 77 FRITH, FRANCIS --- 77 TALBOT, WILLIAM HENRY FOX --- 77 FRITH, FRANCIS Fotografie--FRITH, FRANCIS --- Fotografie--FRITH, FRANCIS --- 77 CAMERON, JULIA MARGARET Fotografie--CAMERON, JULIA MARGARET --- Fotografie--CAMERON, JULIA MARGARET --- 77 TALBOT, WILLIAM HENRY FOX Fotografie--TALBOT, WILLIAM HENRY FOX --- Fotografie--TALBOT, WILLIAM HENRY FOX --- 77 "18" Fotografie--19e eeuw. Periode 1800-1899 --- Fotografie--19e eeuw. Periode 1800-1899 --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- Fotografie--Semiotiek van de fotografie. Theorie --- Boekillustratie --- Fotografie--ATKINS, ANNA --- Book history --- anno 1800-1899 --- 77.035 --- CDL